Imagine, just for a moment, that you are transported back to the summer of 1993, the sun is beating against you, all the problems in the world are fast evaporating…
Do you like feeling good? Who doesn't? Well, maybe Luke Skywalker in the Last Jedi, he seemed to be very content to wallow in his own misery, bitterly sipping unpasteurised blue milk from the teat of a space cow.
The fire flickers, illuminating the faceless figures, a serpent dances to the sound of the flames, gently swaying from side to side. Protecting, watching, ready to serve
In my world of synth I have a constant dilemma with myself. There is a real knack to being able to draw from something that sounds irreversibly like 1982 and yet make it fresh and exciting. How is this achieved?
